She possessed an undeniable Continental flair – due to her French background – that set her apart from the very American Arthur, Dunne, Loy, and Lombard. Would you say there’s something that distinguishes Claudette Colbert from the other screwball comediennes of the 1930s – Jean Arthur, Irene Dunne, Myrna Loy, Carole Lombard? And if so, how would you define that special “it” that Colbert possessed?Ĭolbert had a beguiling mixture of sophistication and “down-to-earthiness,” and she was able to call upon this blend when on camera, whether the scene called for her to be funny, poignant, or romantic.Over these years, I became very intrigued with what made her “tick.” On stage, she proved just how superior a (light) comedienne she was, and her energy/presence was truly captivating – no matter how slight the play. Later, I saw several of her stage vehicles: In pre-Broadway tryout, on Broadway, and on tour, ranging from The Marriage-Go-Round in 1958 to Aren’t We All in 1985. How did you become interested in Colbert’s life story?Īs a very young teenager, I saw several of Claudette Colbert’s films on TV and was fascinated by her verve, throaty voice, attractiveness, and acting versatility – whether drama, comedy, or just a “personality” performance.
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